My UFO encounter (1978)

This artist's illustration is a good approximation of the
delta-configuration of lights seen in the Leicestershire
sky on the evening of October 23rd 1978

Many people have a UFO story somewhere in the lives. Mine dates back to 1978, and it remains one of the most widely-reported and still unexplained sightings over the skies of the English Midlands.

Although the event is now almost four decades in the past, this recollection is based on a journal piece I wrote during the 1990s.

In October 1978 I'd just started high school and lived in a village called Measham, on the fringe of the counties of Leicestershire and Staffordshire. Our house had a good-sized back garden and our neighbours, a couple called Jayne and Stuart, had two large dogs that were normally quite well behaved. One was a German Shepherd called Elsa, the other was called Jason.

The evening of October 23 was unusually warm, which meant a lot of people were outdoors. I was in the rear garden when a bright light caught my eye. It was in the night sky to the southeast, roughly where the town of Hinckley lay about 15 miles distant. At almost the same moment Stuart, who was sitting out in his garden, asked what was the unusually bright light in the sky.

Being relatively familiar with the night sky, and the appearance of Venus and Mars at dawn and dusk, I mentioned that it was probably Venus as it was quite bright, and said I'd fetch an old telescope - a slightly dented old mariner's eyepiece that was bulky and made of brass, but was still serviceable.

Looking through the telescope the object did not appear like Venus. Initially it had me thinking that maybe it was a hot air balloon lit from beneath by bright lights. Stuart tried the telescope and was no surer than I. By now his wife Jayne was in the garden and also remarked on the bright light.

Whatever it was, it seemed to be stationary over the Hinckley area. We continued to observe the light as it stayed stationary for what was at least 10 minutes, but could have been twice as long. Then it began to move again, towards our village. It followed a roughly diagonal path from southeast to northwest. As it moved closer the light increased in brightness and it began to appear as more than a single point of light.

With the benefit of the telescope I quickly made out at least three separate lights. But as it got closer there was no need to use the telescope, even with the naked eye it was clear the lights were aligned in a delta configuration; one at the front and two slightly off centre behind.

The object made no sound and moved smoothly and relatively slowly.

What added to the feeling that something wasn't right about these lights in the sky was the reaction of Jayne and Stuart's dogs, they were in the garden and started to bark loudly for no reason and became generally agitated, something which the couple found odd.

As the object got closer the brightness of the lights seemed to dim, but the delta formation remained. Even with the telescope trained on it, it was impossible to make out any structure beyond the three lights. The object glided almost directly overhead in total silence and continued on its way northwesterly in the direction of Castle Donington.

For the remainder of the evening I felt a strange uneasiness. The following morning on the school bus from Measham to Ibstock, many of the schoolkids were talking about seeing the strange lights in the sky.

That evening there was an article in the Leicester Mercury newspaper about a flood of calls to the police and other organisations from people in the Hinckley, Measham, and Ashby-de-la-Zouch area who wanted to know what the lights were.

The following day, in a second report, the same newspaper said that the number of callers had increased to more than 100 as more people reported seeing the same unusual lights in the sky. There was no explanation from the authorities, and traffic control at the East Midlands Airport, near Castle Donington, said they had no flights recorded at the time the lights were sighted.

To the best of my knowledge this widely reported UFO has never been explained. It occurred in 1978, the year the movies Star Wars and Close Encounters of the Third Kind arrived in UK cinemas, bringing a heightened awareness of space and the unknown; but even that trivia does not explain why so many people, across a wide geographical region, reported seeing the same delta-shaped, silent formation of lights. Nor does it explain why our neighbours' dogs became so agitated as the object came closer.

The Leicestershire UFO Research Society, in its contemporaneous report and subsequent follow-up interviews in the years immediately following the sighting, said: "we ... conclude our report by agreeing with the majority of the witnesses by stating that the October 23rd 1978 aerial object was indeed something out of the ordinary, and that it (or indeed they), cannot definitely be identified without, we believe, perhaps greater access to military flight records etc".

For further reading, the LUFO report: A true UFO? - The case of the silent Vulcan

Yoko's 'Thin Ice' beautifully revisited

In the video Yoko Ono walks through the rainy streets of New York in 1981

"And when our hearts return to ashes, it'll be just a story ...."

So sings Yoko Ono in Walking on Thin Ice, an extraordinary song that continues to works its magic in new ways some 36 years after it was recorded.

The latest orchestral remix by New York-based DJ Danny Tenaglia lays the song bare in a beautiful manner.

An accompanying short video using footage from 1981 further highlights the evocative nature of the track, and captures the absence in Ono's life following to death of her husband John Lennon a few months earlier.

The video of Ono walking alone through a grey, rainy day in New York City in 1981, shows a virtually deserted and unglamourous looking Times Square followed by contemplative images of Ono back at her apartment in The Dakota building, and sitting on a bench in Central Park where she and Lennon once took walks together.

Brooklyn-born Tenaglia has remixed this song before, taking it to the No.1 spot on the US Billboard Hot Dance Club Songs chart in 2003 and 2013. However, there is nothing dance-clubby about Walking on Thin Ice (Maestro Version) 2016. Instead, Tenaglia has delivered a hauntingly beautiful orchestral-led version that perfectly complements Ono's poignant lyrics.

In a previous blog I wrote about how this was the track Ono and Lennon were working on at the Record Plant recording studio on December 8, 1980. Lennon had said to Ono he was certain she had just recorded her first number one hit.

Walking on Thin Ice twice reached the Top 40 in the UK official record charts. The original recording did so in 1981, and Tenaglia's first remix matched that achievement in 2003.

Over the years there have been numerous re-recordings of the song by a variety of artists, together with remixes of the original track by a host of producers and DJs, including Tenaglia's two dance playlist topping versions. However, this 2016 mix adds a new dimension to enhance the track's timelessness.


Walking on Thin Ice (Maestro Version) 2016 appears on Ono's new album Yes, I'm a Witch Too. 

'Peace Walker' defies odds and follows its bliss

Chase Korte in a scene from Peace Walker

For almost ten years it has existed only as short, tantalising clips on YouTube. But Peace Walker has now been uploaded in full, and this unusual and remarkable documentary is a treasure to watch.

In many ways it has defied the odds to see the light of day. It was made on a shoestring budget and half the crew abandoned the project part way through. Six months after filming was completed its main star, Chase Korte, died at the age of 24 when the car he was driving was hit by a drink-driver.

Korte had previously appeared in a number of TV commercials and short films in the US, and as an extra in an Oliver Stone feature film.

Peace Walker was initially to be a hybrid film following one man's walk for peace from John O'Groats on the northeastern tip of Scotland, to Land's End in the southwest corner of England. The fictional side of the film was to feature Korte playing a character called Ray, who sets out on the 1,100-mile journey after his brother is killed in the conflict in Iraq. 'Ray' was to be the peace walker interacting with strangers along the way.

At the same time as filming the 'Ray' storyline, moviemaker Tara Golden would use a second camera to capture documentary footage of the journey.

It was an ambitious and unorthodox project. What's more, there was virtually no budget and the crew mostly relied on the goodwill of strangers for accommodation each night.

The four-person crew began filming in early June 2006. On the first day Golden, an Arizona-based independent director, injured her ankle after walking 18 miles with Korte. It had been her intention to walk the full distance from John O'Groats to Land's End, but following the advice of the others she put such ambitions aside - although things would later change.

The project was inspired by Mildred Lisette Norman, the original Peace Pilgrim who, in her mid-40s, started a peace walk in 1953 that lasted 28 years as she continuously walked back and forth across the US. She changed her name to Peace Pilgrim and vowed to "remain a wanderer until mankind has learned the way of peace - walking until given shelter and fasting until given food."

Chase Korte during the filming of Peace Walker

Crucial to the integrity of Golden’s Peace Walker project was to actually do the 1,100-mile hike. As Korte walked up to 20 miles a day, Golden and the two crew travelled in a rental vehicle, filming at strategic points. Beyond directing, Golden also had to secure accommodation each night for the crew either for free, like the original Peace Pilgrim, or at minimum cost.

Within a matter of days there was tension between Golden and cinematographer Mike Herd regarding the direction of the film. A few weeks later, when the crew reached Glasgow, Herd quit.

At this point I should mention another aspect of the Peace Walker project as it originally unfolded, and that was the daily online diary entries that Golden and Korte wrote separately. These candid and uncensored postings went onto a webpage and chartered the inner highs, lows and conflicts of the two as the journey progressed.

I first stumbled upon the Peace Walker project in late 2006 when I read these online journal entries [which are no longer accessible] and watched a clip of Peace Walker on YouTube. That short snippet was voted among the most inspiring videos to appear on the website during 2006, an accolade that garnered it more than one million views - which was a major achievement at the time on the fledgling YouTube site that had only gone live the year before.

After Herd quit the project, Golden, Korte and production assistant Danny Weiss sat in a city restaurant and discussed options for Peace Walker. The possibility of not going through with the walk brought a forthright reaction from Korte. He leapt to his feet and, before astonished diners, delivered his own impassioned ultimatum – having started the peace walk he was going to see it through regardless and would walk every step of the way. Although not seen in the documentary, the moment was captured in the contemporaneous Peace Walker diary, with Minnesota-born Korte writing:

The walk and the movie, in my mind, were inextricably bound up in each other. I said, "What’s the first thing we say when we tell people about the movie…we say it’s about an American who comes to the UK to hike 1,000 miles for peace. What’s the second thing we say?"

"He’s really doing the hike," Tara replied.

"That’s right. This isn’t just a movie. This IS a peace walk." At some point the whole thing turned into an Oscar scene. I was making an impassioned speech, standing up and yelling in the middle of the restaurant.

However, this was not enough to keep Weiss involved, and he decided to return to the States. The documentary features a scene filmed shortly after the implosion of the film crew, in which Golden and Korte decide to continue, albeit with a reframed project. Korte refers to it as "switching gears" and it now being a documentary about how they had tried to make the film, but had failed, but were going to do the peace walk anyway.

What went before was interesting enough, particularly a touching section featuring Korte walking through the Scottish landscape overlaid with the song 'Brother', a tribute written and performed many years later by his brother Joel Korte. However, the heart of Peace Walker comes in the remainder of the documentary as Korte and Golden tackle the last 700 miles. We see the dynamics of friendship and conflict; the trials and tribulations they face on the road, the places they go and the strangers they meet.

"Follow your bliss," Korte says at one point, quoting the words of Joseph Campbell, the American mythologist and writer. We get the sense Korte is truly following his bliss on the epic walk. "It comes down to love and fear," he muses. When asked if doing a peace walk is creating peace, he reflects, "Maybe it is creating some kind of inner peace."

Korte is happiest when he's away from the roads and traffic. He states that nature and countryside trails give energy, but the road drains it out of you. As he walks the coastal path in Devon and Cornwall on the final leg of the journey, he says, "I do have the best job in the world right now."

Chase Korte, right, walks with route advisor Don Dyer

Peace Walker could well have ended up as no more than a meandering but well-intentioned escapade. However, it provides some genuinely thought-provoking moments on the essence of peace - in all its facets - and builds to a climax as journey's end nears and Golden decides to resume walking. This decision creates a flashpoint between Korte and Golden. There is a conflict of expectations, and it is here that the documentary is most captivating.

Golden explains why she feels compelled to get back on the trail and cries, off camera, as she quietly works through her thoughts with Korte. Then, in a further moment of introspection, she gives voice to her feelings as she films her progress along the coastal path. "I think I'm going to hate this footage later," she comments.

Kudos to Golden for including the scene, along with other insightful moments from the final stages of the walk. For it is here, as the finish line at Land's End nears, that the life-affirming essence of Peace Walker shines through in unexpected ways.

Almost ten years after it was filmed, Peace Walker was released in seven segments on YouTube. Golden's decision to do so stemmed from the short film Faces of the Marchers - The Great March for Climate Action, about a march from California to Washington DC to raise awareness of climate change. She released that film in 2014. The people doing the trans-continental march reminded her of her own passion and hope to inspire people, reported Quo Vadis? - the journal of the Land's End John O'Groats Association.

Peace Walker ends with Golden and Korte reunited. It was February 10, 2007 and they had met to discuss the ongoing editing of the film. A few hours later Korte was killed as he was returning to his home in Los Angeles.

Korte's last words on-camera are poignant. Golden asks if he has any message for the viewers. He replies with a quote from the 1989 movie Bill & Ted's Excellent Adventure.

"Be excellent to each other."

Novel 'Under 25' is gritty and delightful

BOOK REVIEW: Under 25 by Johanna Cordery

The cover of Under 25, a novel by Johanna Cordery

Starting with a forewarning of a tragic event involving a “young un”, Under 25 takes readers on a roller-coaster ride of emotions and suspense as they ponder who among the main characters might become the lost soul.

The ominous foreshadowing within the opening lines masterfully sets the scene for the engaging story that follows; a tale about the intertwined lives of a number of young people growing up in Yorkshire, England, during the 1980s.

With sensitivity, Cordery tackles the subjects of teenage love, pregnancy, dysfunctional families, betrayal and the spectre of young suicide.

At times the language is powerful, pulling no punches. And be warned that the well-crafted dialogue is written to reflect the linguistic quirks, nuances and characteristics of native Yorkshire speakers. This accent on authenticity is at the heart of Under 25’s gritty realism, which is also reflected in the descriptions of the homes and surroundings of the characters.

Ashley Shuttleworth is the key protagonist, and it is mainly through him that we see events unfold. However, Cordery’s engaging style also gives multi-person viewpoints that enlighten the story and add delightful depth along the way.

Under 25 is filled with twists and turns and unexpected developments. There are moments of humour (I laughed out loud many times), and scenes of agonising sadness.

Readers should prepare to become emotionally invested in the characters who are given space to develop and come alive.

When I first started reading Under 25, I was impressed with the realism of the settings. As the story progressed it was the suspense of wondering where everything would lead and where the answers would be found that kept me deeply engaged with this well-structured, fast-paced, dialogue-driven novel.

A refreshing new author has arrived on the scene. I look forward to reading the future works of Johanna Cordery.

Under 25 is available as a Kindle e-book from Amazon.


CLICK TO PLAY: A short promotional film for Under 25

Footnote: I attended college with author Johanna Cordery in the early to mid-1990s.

Four stars out of five for new Star Wars

The poster for the new Star Wars film

With the new Star Wars film only days into its general release, I shall steer clear of revealing anything of the plot in this post. What I will say is, yes go and see it.

I give it four stars out of five. It's fun, it's a great adventure story, and it has fantastic effects. New stars Daisy Ridley and John Boyega are captivating, and the film is steeped in the essence of the original three films in the saga. The emotional jolt at the end is brilliant and timed to perfection.

I'd loved to have given the film five stars, and perhaps when the next two (and final?) episodes are in place The Force Awakens will be elevated as a result. But for the moment it must stand on its own, albeit with its many nods back to the preceding films in the series.

Director JJ Abrams has done a fine job bringing the Star Wars franchise into the 21st century, but he has played it somewhat safe with The Force Awakens. As spectacular and enjoyable as the film is, there is a little too much reliance on the "tried and tested" recipe of the past, and not enough pushing beyond the established boundaries of the Star Wars universe. Having grown up with a high regard for the original trilogy, I was hoping for a larger dose of uniqueness in this new adventure.

Abrams has constructed a remarkable film that stands up well next to the original three Star Wars movies. But I'm left wondering if perhaps a brake was applied to more ambitious ideas on account of this being a Disney film and also a huge "first spin of the dice" gamble for the studio after it paid George Lucas $4 billion to secure the franchise.

I went to a charity, late-night showing of the film the day before it went on general release. As I rode my moped towards town ahead of the 11pm screening, I was remembering the night in 1978 when I saw the original Star Wars. I was 11 years old. The nearest cinema was in a town five miles away, and at the time we did not have a family car. However, a friendly teacher and his wife, who had a car, took me and my older brother to see the film.

In an age when it was still a novelty to see a colour television, I was blown away by the film. It was a tour de force with special effects not seen before on a big screen. The story, structured on the hero's journey, drew me in completely. The loss of Ben Kenobi was an emotional moment that stayed with me for a long time. During the car ride home I gazed out of the window at the starry night and imagined that somewhere out there this great adventure might indeed have taken place a long time ago, in a galaxy far, far away.

Now, just over 37 years later, it was another starry night and I was heading to a cinema to see the continuation of the saga from where it had left off after 1983's The Return of the Jedi. In a way that’s what makes Star Wars quite unique for many people, the fact that it has been a constant in their life from a very young age.

I watched The Force Awakens, and when I left the cinema I contemplated the night sky and remembered how the younger me had done the same in 1978. Walking away from the cinema, I had a similar feeling of fulfilment and wonder. Seeing so many of the original Star Wars characters in this new film was more than a sentimental kick. They, like me, had outwardly aged in the intervening three decades; we had journeyed through our lives to reach this point, which felt like a reuniting of old friends.

In the wake of The Force Awakens, the Star Wars saga appears to be back on track after the less than fulfilling prequels of the late 1990s and early 2000s. My hope is there will be a greater amount of risk-taking in the next film, regarding new plot lines, villains, and those emotional jolts that stay with the audience long after they have departed the theatre.

Well done to Abrams for The Force Awakens. May the Force be with the next director, Rian Johnson, who now picks up the saga where it has been so tantalisingly placed by Abrams.

Tips for promoting an e-book

Dolphin Girl at No.9 in the literary fiction (British & Irish) sub category
 of the Amazon.com Kindle Store on September 28, 2015

One morning in September Dolphin Girl reached the top 6,000 bestsellers in Amazon.com's Kindle Store. At its peak it was briefly No.9 in the British & Irish literary fiction sub category, alongside novels by Salman Rushdie and Mark Haddon.

To date the book has collected eight reviews across the various Amazon sites, ranging from five-star to one-star. Presented here is a short road map describing what I did to initially promote Dolphin Girl. I hope these details might act as a partial resource guide for others who are looking to expand the audience for their books.

As Dolphin Girl was my first venture into the world of e-books, it took me some time to get going with promotion and marketing. I was learning all the way and soon discovered that a key requirement was to attract some reviews on Amazon.

Readers are less likely to buy a book that has no reviews. Reviews generally add a degree of legitimacy and reassurance about the quality and authenticity of a book. However, getting reviews in the first place presents a Catch-22 situation, because if people are unlikely to purchase a book with no reviews, how are you supposed to sell any copies in the hope of generating a few reviews?

If you are fortunate, one or two reviews might come through friends and acquaintances, which is a good start. Beyond that, the avenue I took was to make Dolphin Girl briefly available for download on the Story Cartel website. This is a great, free resource for authors and readers. An e-book is promoted for 21 days, allowing readers to download it for free. The only request is that the reader leave an honest review in return (on Amazon or Goodreads, etc). The review request is simply that, a request. There is no binding obligation. As a result, you might end up with only a fraction of readers following through with a review.

At the same time I ran a small, targeted ad campaign on Facebook, encouraging readers to check out Dolphin Girl on Story Cartel. This generated further downloads from potential reviewers.

Once I had five reviews on the Amazon.com website I was able to move on to paid promotional slots at a number of websites and newsletters. Most required a minimum of five Amazon reviews before they would consider listing a book in a one-day reduced price promotion. The effectiveness of these services varies, and a book's genre also plays a part in how much interest it attracts. I used a number of sites and ran a few "price pulse" promotions, spreading them across different days rather than in one big hit. By doing so I could monitor the effectiveness of the competing sites more accurately.

Most of these promotional outlets charge a fee, varying from $5 to $50. There are some that are free. The results vary from good to barely noticeable. From my experience the best were ENT & FK Books and Tips, Book Gorilla, and Book Butterfly. Others worth considering are Book Sends (with eReaderIQ) and Genre Pulse.

I should mention the "granddaddy" of these sites is BookBub. It has a colossal reach and charges hundred of dollars for a promo slot - and that's if you are lucky enough to be accepted. The current word among authors is that if you don't have at least 50 decent reviews already, you're probably going to be turned down. What BookBub also has going for it is the virtually guaranteed "positive return on investment" for an author, so the number of books they sell covers the cost of the promotional slot with a chunk of profit on top. Dolphin Girl, alas, was not featured on BookBub.

As a further aside, these sites and newsletters do a roaring trade in promoting free e-books. This was not something I did, but the theory behind making your book free, either for a limited time or permanently, is to generate more interest, more readers and more feedback.

On its promotional spotlight days, when priced at $0.99 or 99p, Dolphin Girl moved higher in both the British & Irish literary fiction and the fantasy/magical realism sub categories of Amazon's Kindle Store. It reached the top 50 in these sub categories on a number of occasions, and briefly peaked at No. 9 in the British & Irish category on September 28.

Dolphin Girl peaked in the Amazon.com Kindle Store rankings on September 28, 2015

When the book returned to its normal retail price it occasionally picked up residual sales. This was probably due to its higher sales profile during the previous promotional days. As a further benefit, Dolphin Girl is now occasionally included in the "readers of this book also bought..." section that appears below books as they are browsed by customers on Amazon.

Along the way, the book attracted further reviews. Across all Amazon platforms, Dolphin Girl currently has a total of eight reviews, of which five are 5-star, one is 4-star and two are 1-star reviews. Some people loved it, while others found it unengaging.

Whether good, bad or indifferent, reviews are useful feedback and add to a book's credibility in the eyes of potential customers weighing up whether or not to make a purchase.

All-in-all, the experience of promoting my debut e-book novel was rewarding. Although Dolphin Girl is currently not part of a promotional campaign it continues to pick up occasional online sales.

Other authors have noted that being able to promote more than one book, and ideally having four, five or more available, builds greater sales momentum than can be achieved with a single book.

I'm still learning the ropes regarding promoting and marketing an e-book. I hope this summary will assist others embarking on the same journey.

Power of a hurricane

When Hurricane Joaquin brushed the island earlier this month, it brought winds gusting at 100 mph and slightly higher. They howled across Bermuda for more than 12 hours, reaching their peak after nightfall.

Joaquin was a Category 2 hurricane, just below 'major hurricane' ranking, but packing a powerful punch. The storm's winds became a significant factor as daylight bade a premature farewell, and grey clouds frantically raced above.

Alone in the centre of the garden the mature avocado tree was forced to dance to the tune of Joaquin. Shaken by the wind, with each new blast more forceful than the last, the branches were tossed back and forth almost to the point of breaking (see video).

A large branch hangs down from the
avocado tree after being snapped by
the fierce winds of Hurricane Joaquin

Nightfall arrived early, extinguishing the storm's day-long twilight. I was able to take a kitchen chair outside and sit under the small porch, near the back door, protected from the relentless southerly winds by the cottage's sturdy walls.

In that oasis of shelter in the midst of the hurricane's fury, I watched the avocado tree being mercilessly ravaged in the wind. At any moment it seemed it might buckle against the force of nature.

How small we are, I reflected; how transient are we, and our homes and surroundings in the face of nature's mightiest forces.

On cue, the lights went out. A transformer box on a nearby utility pole sparked in defiance, like a silent firecracker or a camera's popping flashbulb. Twice, three times, it fought back before submitting to the unrestrained hurricane forces sweeping the island.

With only candles and a flashlight for illumination, it was time to turn in for an early night. From my bed within the window-shuttered cottage, I drifted to sleep listening to the howling of the storm.

A bird box was left at an acute angle after being
pummeled by the winds of Hurricane Joaquin

In the grey light of morning the damage was surveyed. Two sizeable branches had snapped from the avocado trees, while lesser branches and twigs were strewn across the ground. A hefty flowerpot had been shifted and tilted, but on the whole none of the damage was on the scale of that done by Fay and Gonzalo, last year's two direct hit hurricanes.

The centre of Hurricane Joaquin stayed 60 nautical miles or more to the west, and so we were spared a much fiercer pounding. However, the storm was a timely reminder of the power of nature in the raw.