Song discovery that was 'outta time'

Coincidental surprise: a scene from the video of Oasis' I'm Outta Time

It was something I wasn't expecting - an Oasis song and video from 11 years ago that I'd never encountered.

And the surprise had a layer of coincidence as the song's title, I'm Outta Time, is remarkably close to the title of my novel in progress, Alice Out Of Time.

The song is an outlier for Oasis,  if anything in their catalogue can be described as such. It was the band's penultimate single, and only their debut release peaked at a lower position in the UK charts. It is also one of only two Oasis hits penned by Liam Gallagher, rather than his brother Noel. Liam features in the video, alone.

It is a touching, almost heartbreaking ballad, that in hindsight foreshadows the final days of the band. A year after its release in 2008, Oasis were no more.

When I say I had not previously encountered the song or video, there is a caveat. It is true I'd never seen the video before, but it turns out I must have heard the song at least once. That was at Madison Square Gardens, in December 2008, at what was the seventh and last occasion I saw Oasis in concert.

I'd followed the band's career since their first success in 1994, going to concerts - including the Maine Road and Knebworth extravaganzas of 1996. When I left the UK in 2005, I owned five of their six studio albums. It was at this point I lost touch with their new music. I was no longer plugged in to mainstream TV and radio, and remained mostly unaware of the new songs that made up what was to be their final album, Dig Out Your Soul.

However, when they toured to promote that album in late 2008, I headed out on a cold, wintery evening in New York to hear again the great songs I knew from their back catalogue.

Work in progress: the Alice novel is now at the 'white cover working edition' stage

Last weekend, on discovering the video of I'm Outta Time, and wondering how such a gem had escaped my notice for 11 years, I did an online check of the setlist for that night in New York and discovered the song had been played, sandwiched between two of Oasis' bigger hits, The Importance of Being Idle, and Wonderwall.

It had been placed in the final quarter of the set, surrounded by the searing anthems that defined Oasis' success. As such, it had been lost to me on first hearing. But now, in isolation, the beauty of its understated nature was striking, as was the dreamy imagery of the video, with nature to the fore, including a signature motif from  Alice Out Of Time. As I continue work on the novel, which is at the "printed white cover edition" stage, I feel the song makes a fitting accompaniment.

Also, listen carefully and you will spot a sprinkling of micro-musical homages to The Beatles and John Lennon. There is a final surprise at the end. The video concludes with a record playing on a turntable, and the voice of Lennon. Asked if he missed England, having lived in New York for almost a decade, Lennon says: "As Churchill said, it's an Englishman's inalienable right to live where the hell he likes ... I said, what do you think, it's going to vanish? It's not going to be there when I get back?"
It is a poignant recording; two days later Lennon was shot outside his Manhattan apartment.

• The official video to Oasis' I'm Outta Time:

Scene setting for a novel

The ragged flag in the centre of a small town that provided
inspiration for a key location in Alice Out Of Time.

A writer can create a wonderful story that is filled with dynamic characters, but if a setting doesn't ring true or is badly described it seriously distracts from all else.

The information needed to construct a believable setting can be researched through books and other literature, and from online searches.

However, there is nothing quite as rewarding as visiting a location that closely matches an imagined setting; that way the writer gets to walk the sidewalks, see the buildings, the people, the traffic - soaking up the experience and "mood" of the place.

I did this during a brief visit to a town in the US. It wasn't a big place; the hub of the town was where the main street intersected with three other streets. There was a parade of stores, all past their glory days, on either side of the quiet street. What particularly caught my eye was a large Stars and Stripes fluttering in the heart of the town. The over-sized Amercian flag, something almost ubiquitous in towns and cities across the US, had also seen better days. It flew proudly, but its ripped and ragged trailing edge prompted a feeling that this community was not overly prosperous and had yet to find the funds to replace its worn flag.

The essence of the town matched that of a place that features in Alice Out Of Time. The novel is now in the third draft stage, undergoing plot tightening and fine-tuning of descriptive passages. Therefore, it was a welcome opportunity to stroll the streets of a small town that closely resembles a key setting in novel, and imagine the characters from Alice doing the same.

'Alice' novel: the first draft

Raw story: at a rate of 500 words per day, it took just under
three months to complete the first draft of Alice Out Of Time.

The first draft of Alice Out Of Time is complete, stretching to approximately 52,000 words.

Since the beginning of June I've written 500 words each morning until the story I envisaged was fully captured.

There are probably as many different writing process as there are people in the world. I'm using this update to document my writing regime.

With Alice, the end goal is to have a final draft of 80,000 words, which is pretty much the standard-size for a novel. At this stage I'm confident that will be achieved. The first draft is the story in skeleton form - the basic scaffolding around which the deeper details will be placed.

In this raw and basic form the story pacing is super-fast. Keeping the momentum flowing through every scene is important. Other than two or three key characters, everyone else is referred to simply as "man" or "woman" or (spoiler alert) "woman in the coffee shop". Buildings are largely described as "building" and some of the towns and places have yet to be named. All those things get filled in during subsequent re-writes.

The first run-through is all about the core story and finding out if it works and delivers. I wrote every morning when I got up, straight out of bed. There was no stopping for breakfast or internet news. The first priority was to fulfill the 500 words for the day. Which usually took between 30 and 45 minutes.

And yes, it was every single day. Keeping the momentum up helped with the flow, and meant my mind was always engaged in the story and thinking of ways to express the next development. There was no stopping to correct grammar or spelling. And sometimes I would change the direction of a scene mid-stream, or write it fresh from a different angle the next day (but not deleting the first attempt - just writing the new version straight beneath).

I wrote the story out of sequence, opting to follow a single main character to the end, and then doing the same for the next main character. The exception to this rule was when it was necessary to have chief characters interacting in the same scenes.

There was no writing done on a computer. Instead, I wrote on a Neo2, a small, battery-powered word processor, which you can see in the background of the photograph. This removed distractions. The Neo2 is purely a word processor. It has no internet capabilities, so there was no temptation to check e-mails, social media, etc.

Secondly, the Neo2 screen shows only four lines of text. So that did away with the temptation of scrolling back through writing from previous days to tidy up spellings, grammar or elements of the story.

Of course, I did not start each day with no idea where the story was going. Because while the first draft was written in less than three months, it took close to eight months to work through the story idea, plot, and character arcs. Only once I was certain most of it would fit together did I begin. That provided a guide to show where the story was meant to be going each day. There was flexibility to add in ideas, providing they meshed with the end goal, and that happened. There was enough ambiguity in the penciled framework to allow for new moments of inspiration to fill the gaps as they appeared.

But the 11 months of pre-planning and writing is not the whole journey to date. Even before the lengthy framework building, the genesis of Alice and the mentally piecing together of the jigsaw puzzle to make the story work - or at least feasible enough to attempt - goes back a few years.

Alice has now crossed the first milestone. The second draft is about to get underway with a similar writing regime to the first. I will post future progress updates.